Category Archives: care

LOVE AND DEMENTIA

On 31 Jan 2021, at 17:49, Rina Rosselson <rinaross@mac.com> wrote: Why is it that the film Amour is often quoted in reviews of Still Mine?  And do all stories with old couples fall into the same genre? Isn’t Still Mine also a film about dementia? … Continue reading

Posted in Ageing, ageing couple, alzheimer, care, care homes, carers, dementia, documentary, Film Analysis | Tagged , , , , , | Leave a comment

OLD AGE AND CARE : Amour, Chronic, A Woman’s Tale

Autoethnography Isolated from family and friends under tier 4, unable to research with any enthusiasm I have decided to end the writing of 2020.But first I must come back to my blog of December 19th, where I touched on an … Continue reading

Posted in Ageing, ageing couple, alzheimer, audience responses, care, carers, death, euthanasia, Film Analysis, FILM RECEPTION, grief, horror films, love, old couple separation | Leave a comment

AWAY FROM HER (2008) and Still Alice (2014)

Of all couple separations the separation due to dementia can be the most painful. Major illnesses in a partner, a child are also difficult to live through. It is the erasing of the partner and his/her annihilation that is unbearably … Continue reading

Posted in Ageing, ageing couple, alzeihmer, alzheimer, care, care homes, Film Analysis, film noir, grief, horror films, old couple separation, three generations of women | Tagged , | 1 Comment

COUPLE RELATIONSHIP IN AMOUR

There are two big films about old couples in my list of blogs : Amour and Iris.  I did not think that Iris was entirely fiction and I did not include it in my studies.  However I mentioned it because … Continue reading

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Shoplifters (2018) – Palme d’Or Cannes – Director Kore-eda

I did not grasp all the richness of this film on my first viewing in the cinema. As a rule I make a point of not reading the reviews or synopsis before seeing a film. What struck me in the … Continue reading

Posted in Ageing, care, death, family, Film Analysis, food, grief, intergenerational relationships, love, motherhood, outsiders, sisters, three generations of women, tolerance, women's friendships | Tagged , , , | 1 Comment

POETRY (2010) -2-

Recently, a friend recommended Lucy Bolton’s chapter The Intertextual Stardom of Iris: Winslet, Dench, Murdoch, and Alzheimer’s Disease,Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures (2015).  This took me years back before I started my blog. Coming back to … Continue reading

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Eat, Drink, Man, Woman – Chu

Eat Drink Man Woman (referred to as EDMW) is described by the majority of reviewers as a film about a clash between Father and Daughters, between Tradition and Modernity. Few have commented on Chu as an old man. EDMW is … Continue reading

Posted in Ageing, Ageism, Ang Lee, care, family, Film Analysis, food, grief, intergenerational relationships, love, murder, women's friendships | Tagged | Leave a comment

HOTEL SALVATION (2016)

This is not about the representation of an old woman in films but my personal  – as an old woman –  take on Hotel Salvation.  I fail to see why this film has been so praised by   influential reviewers. … Continue reading

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PAULINE AND PAULETTE (2001)

Third film at the Ealing Oldies Network.  The 18 people present were enthusiastic. They appreciated the film   and the exchange of views at the end was very lively and informed. It was evident that a few had some experience in … Continue reading

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MARVIN’S ROOM (1996): Love and Care

It is the end of the U3A summer term for the U3A Old Women in Film Group. I had put aside, to consider later, Marvin’s Room (1996) Screenplay by Scott McPherson (1959-1992), based on his own play. With : Diane Keaton … Continue reading

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PAULINE AND PAULETTE (2001) film group responses

The Brent U3A film group looking at the representation of old women met again for the first session of the academic year. I was sad to note that there were no members of the original group alive anymore. But I … Continue reading

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FEMINISM, AGEING, AND FILMS

It is bizarre at the age of 81 to have a feeling of deja vu about the experience of seeing a film. And this is the only way I can explain my profound distaste of Chronic. I have tried to … Continue reading

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