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Archive
Tag Archives: assisted suicide]
A Korean film at the London Film Festival
This is just a signpost for the Korean film The Bachus Lady (2016) directed by E J-yong and featuring Youn Yuh-jung (aged 69) . I managed to catch it at the ICA the first day of the London Film Festival. I … Continue reading
Posted in Ageing
Tagged Ageing, assisted death, assisted suicide], death, intergeneration
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FEMINISM, AGEING, AND FILMS
It is bizarre at the age of 81 to have a feeling of deja vu about the experience of seeing a film. And this is the only way I can explain my profound distaste of Chronic. I have tried to … Continue reading
Posted in Ageing, care
Tagged Ageing, assisted suicide], carer, caring, death, end of life care, family, feminism, grief, incontinence, old woman, voyeuristic style
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CHRONIC (2015) : ambiguities and control.
I must come back to Chronic. A friend mentioned to me another film directed by Franco: After Lucia. I viewed it immediately and the experience urged me to revisit Chronic and analyse it. I found that the two films … Continue reading
Posted in Film Analysis, FILM RECEPTION
Tagged ambiguities, assisted death, assisted suicide], carer, caring, daughter, death, disability, film genre, film reception, grief, incontinence, long takes, palliative care, point of view, sexual harassment, story and plot, subjective point of view, vomiting
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Chronic: palliative care or a man’s portrait?
Holidays. Time to reflect on some questions I asked myself after a few viewings. In my post about Wrinkles I wrote: “But one cannot help being intrigued by the predominantly male atmosphere of the film when it is common knowledge that … Continue reading
Posted in Ageing, animation, critics
Tagged Ageing, Ageism, amour, assisted suicide], carer, caring, death, end of life care, family, film reception, intergeneration, intimate care, Naked bodies, palliative care, sexual abuse by carer
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Ballad of Narayama (1958)
I had written about this film exactly three years ago and seeing it again proved to be as fascinating. I had shown it to the film group of the time but did not record responses. The membership of the film group … Continue reading
