Tag Archives: daughter

EAT DRINK MAN WOMAN (1994) film genres…

  My Father was the centre of the family, and everybody tried to please him. My Mother loves me and everything goes well. I have no conflict whith her, so that’s not dramatic. Ang Lee  Why was I not offended by … Continue reading

Posted in Ageing, Ang Lee, classic film, fable, food, grief, love, melodrama, three generations of women, women's friendships | Tagged , , , , , , , , , , , , , , , | 2 Comments

AQUARIUS (2016) partial analysis

In The Greater London Pensioner Association newsletter (October 2017) Judith Olley writes about the Representation of Older People on Film. It is refreshing to read about films from an older person’s viewpoint and I picked up two films that I … Continue reading

Posted in Ageing, audience responses, family, Film Analysis, FILM RECEPTION, motherhood, three generations of women | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CHRONIC (2015) : ambiguities and control.

  I must come back to Chronic. A friend mentioned to me another film directed by Franco: After Lucia. I viewed it immediately and the experience urged me to revisit Chronic and analyse it. I found that the two films … Continue reading

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Camera Obscura (2008) or what happens next?

Camera Obscura (2008) is an Argentinian film directed by Maria Victoria Menis. It is not about an old woman but I thought that this unknown film is well worth watching and studying for its multimedia form, its outdoor lyrical shots, … Continue reading

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London Film Festival 2015

I saw two films featuring an old woman at the Festival this year: Grandma (2015 ) ticked all the boxes :  Lily Tomlin,  lesbian relationship,  angry grandmother, women’s liberation, the 70s, odd characters,  good granddaughter/grandmother relationship , difficult one with daughter, teenager … Continue reading

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FEDORA (1978) and CELEBRITY.

I was in my early 40s, when I first saw Fedora (1978). I was not worried about ageing or conscious of ageism, as work, family and activism kept me very busy yet I was left with two very strong impressions. I could, … Continue reading

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THE WINTER GUEST: PHYLLIDA LAW AND EMMA THOMPSON. On women friendships

In my previous post I noted that it might be rewarding to examine Mother Elspeth (Phyllida Law) and Daughter Frances’ (Emma Thompson) story in The Winter Guest. The task of tracing their narrative in this crazily edited puzzle was very … Continue reading

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KEEPING MUM (2005) or “it is the least a mother can do”

Like Tatie Danielle, Keeping Mum is difficult to categorise. The reviewers call it a black comedy and their assessments range from Ebert and Rope “It’s probably one of the funniest films to come out of England in years” to Philip French “laboured … Continue reading

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BABOUSSIA (2003) self sacrificing great grandmother

I have used italics for film quotes and bold italics for director’s quotes mainly from http://www.kinoglaz.fr/u_fiche_film.php?num=60 in French or the extras from the DVD.  I have used the spelling of Baboussia used on the DVD cover but there are different … Continue reading

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SINCE OTAR LEFT… (2003) or Women’s Lives.

“Pour moi qui suis issue d’un univers familial plutôt matriarcal, je pouvais y mettre beaucoup de ma propre vie, parler des rapports mère-filles qui m’ont structuré ou destructuré…” What made me choose this film for our October film group session? … Continue reading

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MUM AND ME – SUE BOURNE TV DOCUMENTARY

When I started my blog on the representation of old women I needed to limit my field of research. I decided to exclude animation, because I am not very versed in the genre, and documentaries because the area might be … Continue reading

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MAMADRAMA (2001) The Jewish Mother Stereotype

http://www.jewishfilm.org/Catalogue/films/mamadrama.html This will be a very personal view of the documentary Mamadrama: The Jewish Mother in Cinema.(2001). When I arrived from the Middle East and settled in London I was puzzled by the expression “She is such a Jewish Mother”. … Continue reading

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THE STRAIGHT STORY 2

Ageist language I could not resist flagging. From the NFT viewing notes of Charulata (1964 – dir. Satyajit Ray) I quote   : … I saw old women doddering out of the cinema with tears in their eyes …. the ancient women emerging … Continue reading

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UNHOOK THE STARS (1996)

I am glad I rediscovered this film after seeing Opening Night and am once again surprised that such a relevant film has never been mentioned in any list of older women in film that I have come across. Nick Cassavetes in his interviews declares … Continue reading

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MOOLAADE (2004)

I am overwhelmed by the amount of film work I would like to do and am struggling to keep up. I will  mention briefly here Ousmane Sembène’s Moolaadé to signpost it for myself for later consideration.  It is a film that cannot be … Continue reading

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ANTONIA’S LINE – Antidote to sexism.

For our film group this month I chose Antonia’s Line (1995). Why did I pick this film from  my collection? Three reasons spring to mind.   In a new book about ageing: Lynn Segal’s ‘Out of Time, the Pleasures and Perils of … Continue reading

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THE OLD WOMAN IN ‘MAKE WAY FOR TOMORROW’ AND ‘TOKYO STORY’

The film group is on holiday so I can come back to my three years old project. This is to consider the old woman in two classic films with the same story. For there is no magic that will draw … Continue reading

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MAKE WAY FOR TOMORROW (1937)

La cohabitation n’a jamais fait de bien à personne. (my mother) Life  flies past us so swiftly that few of us pause to consider those who have lost the tempo of today. Their laughter and their tears we do not even … Continue reading

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AMOUR – QUESTIONS

ALSO SEE UNDER FILM GROUP PAGE THE RESPONSES OF THE FILM GROUP Two people have said to me: your blog is about the representation of old  women and yet you do not address this in the one about Amour. This is true. … Continue reading

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The Mother (2003) and staging age

I am back from holidays. I like doing my serious reading when there are no interruptions of trivial chores, visits to the doctor, hospital, podiatrist, optician and hearing specialist or social and family activities. After my post on The Mother, … Continue reading

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THE MOTHER (2002) Old woman’s sexuality or Thatcher’s Britain?

The film-maker daughter of a friend of mine challenged me the other day.  From agreement over Last Tango in Halifax that we both found a well written  TV drama,  we slid into disagreement and misunderstanding  about The Mother  (2002). She liked The … Continue reading

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The Imposter and the Mother between Grief and Guilt

The Imposter elicits amazement at the story and praise at the way the director tells the story. At the heart of this dramatised documentary  is the incredible fact that a mother and sister are fooled into accepting a serial imposter … Continue reading

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The Salt of Life or Gianni and Women (2011)

Gianni e le donne. Literally Gianni and (the) Women. Gianni is on our screens again. Still drinking, but less than he did in Mid August Lunch, still a good cook, still at the beck and call of his mother. But … Continue reading

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Volver : women’s lives and deaths

The U3A screening at the Lexi in March was Almodovar’s Volver. The audience, as usual composed of a majority of women, greatly appreciated the film.   This was expressed by lively contributions by many of them. There were general comments: idealisation … Continue reading

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Since Otar Left

November 1st. 2009 Supported by Film London, the Phoenix cinema in East Finchley started a series of monthly events consisting of a matinee screening of a film featuring an older woman, followed by a panel talk and a discussion. The … Continue reading

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