Author Archives: rinaross

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About rinaross

Born in 1935. MA in Film and Television Studies at the University of Westminster 1998. Studying the representation of older women in film since then.

The Old Woman and some British Comedies.

Whisky Galore (1949) was shown on the TV at the approach to Xmas. A very male comedy where Georges’ mother, a controlling bigot with no redeeming features, treats her adult son like a naughty child.   The part is played by Jean … Continue reading

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Innocence (2000)

Innocence is a beautiful and complex film. Long before The Mother (2003) was hailed as a breakthrough in the cinematic representation of sexual desire in an older woman, and Cloud 9 (2006) widely given as an example of images of an old couple … Continue reading

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Bechdel Test and Symbolic Annihilation

Girls on Film in Partnership with Little White Lies day of panel discussions focusing on the representation of women in film.  I attended two of the panel discussions of the Under Wire Festival: the Bechdel Test and Act Your Age. … Continue reading

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Philomena (2013)

Brief thoughts and no spoilers. Go and See Philomena while it is still on the big screen. Make a note of it if you are not in the UK.  At long last Judy Dench, in a role that uses her … Continue reading

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LUMINATE FESTIVAL AND JANE GRANT’S PRESENTATION

Luminate, Scotland’s creative ageing festival ran for its second year this October. Events took place in almost every region, even the Outer Hebrides, and included exhibitions, films, and live performances (music, poetry, dance and theatre). There were also discussions, debates, … Continue reading

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MIRROR MIRROR CONFERENCE

“The photo is never a mirror” Dr.  Margaret Morganroth Gullette After I attended the Lumière Blanche Festival I explored with another member of the Film Group the possibilities of reaching  and exposing young people to images of old women. We … Continue reading

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LUMIERE BLANCHE 2013 PROGRAMME

My last post about the Festival Lumiere Blanche 2013 is the list of films shown. For me  the shorts were a real revelation. I felt sorry not to have given the genre more attention.  The ones I saw at this … Continue reading

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LE FILM PERMET DE LIBERER LA PAROLE DR. J.J. DEPASSIO

Films permit free conversations says Dr. Depassio.  Dr. Jean-Jacques Depassio, geriatrician, works at the Hopital de Fourvière – Centre de Gérontology in Lyon. He is the organiser of the Lumière Blanche Intergenerational film Festival. I realised the first time I … Continue reading

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LUMIERE BLANCHE INTERGENERATIONAL FILM FESTIVAL

I am just back from attending the Lumiere Blanche Festival in Tassin-la-Demi-Lune. This is the intriguing name of a suburb of Lyon, the birth town of the brothers Lumiere and also of Bertrand Tavernier. The festival took place in an … Continue reading

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REFLECTIONS ON POINTS OF VIEW

In the last few months I have been asked – as an expert on old women in films –  to be a panelist at two festivals, and to present a film at a literature festival. I  declined the  first two … Continue reading

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THE WHALES OF AUGUST (1987)

At the 2006 U3A/NFT Older Women in Films Study Day the focus film was The Whales of August. The film at the time was not available on DVD or Video but the film group  had watched a copy from the TV. … Continue reading

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Have times changed in Hollywood?

Today Pamela Scully tweets “Hollywood ‘Still Refuses to Let Actresses Age at all’  and gives this blog address:  http://thesocietypages.org/socimages/2013/09/19/wrinkle-washed-female-faces-in-film-marketing/ In this blog Doug Barry writes about  Susan Sontag  and quotes her. “The Double Standard of Aging” was published in The Saturday … Continue reading

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CHANGING TIMES

It is remarkable how things have changed in the last 15 years. At the beginning of the new academic year I am overwhelmed and recall the times when I started looking at ageing and the cinema. People were surprised and … Continue reading

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Baghban (The Gardener – 2003)

66 years later than Make Way For Tomorrow and 50 years later than TS,   Baghban  (2003) treats the same subject of the generation gap in a changing world.  But in contrast to both MWT and TS Poojah the old woman … Continue reading

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THE OLD WOMAN IN ‘MAKE WAY FOR TOMORROW’ AND ‘TOKYO STORY’

The film group is on holiday so I can come back to my three years old project. This is to consider the old woman in two classic films with the same story. For there is no magic that will draw … Continue reading

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WAYS OF VIEWING *

*apologies to John Berger. We were invited to a film evening at some young friends of ours. I was shocked  by the conditions in which the film was viewed and realised how fanatical I am about the ritual of viewing … Continue reading

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IN THE COMPANY OF STRANGERS take 3

The theme of the Penzance Literature Festival was Vision. I was delighted to be invited to give an alternative vision of old women in film.  I chose The Company of Strangers. ( I prefer to use the Canadian original title … Continue reading

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CINEMA LE GRAND AGE D’OR

At long last an informed and researched article about ageing and films in the general press albeit in the French le Monde. Jacques Mandelbaum, journalist and film critic  whose articles are sometimes published in The Guardian, writes about ageing and … Continue reading

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STRANGERS IN GOOD COMPANY take 2

This month the film group met to view The Company of Strangers. I will not transcribe the notes  since the pieces written by members of the group in 2007 say it all. To access these, click on resources and then … Continue reading

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THE COMPANY OF STRANGERS, STRANGERS IN GOOD COMPANY (1990)

Written in 2007 We usually analyze a film because it is intriguing.  Indeed this film intrigued me. The first time I saw it I was dealing with a father deep in the nightmare of dementia and a mother immobilized by … Continue reading

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MAKE WAY FOR TOMORROW (1937)

La cohabitation n’a jamais fait de bien à personne. (my mother) Life  flies past us so swiftly that few of us pause to consider those who have lost the tempo of today. Their laughter and their tears we do not even … Continue reading

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BELIEVE ME THE IMAGE IS MORE THAN IT APPEARS. (Ovid-Heroids)

I was chuffed last week when I was asked to take part in a project about the representation of old women.  The researcher was not the usual young academic looking at old women from an ‘objective’ point of view, not … Continue reading

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QUARTET (2012)

SEE ALSO UNDER ‘RESOURCES’  THE FILM GROUP RESPONSES When I first saw Quartet at the London Film Festival I was as enthralled as the whole audience. We left the cinema with smiles on our faces. There were so many pleasures … Continue reading

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DEPARTURES (2008)

SEE ALSO UNDER ‘RESOURCES’ FOR FILM GROUP COMMENTS It always surprises me how a film is dismissed  when people rely on their favourite reviewer’s opinions based on one viewing. Departures won the 2009 Oscar for best foreign film. Few of … Continue reading

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AMOUR – QUESTIONS

ALSO SEE UNDER FILM GROUP PAGE THE RESPONSES OF THE FILM GROUP Two people have said to me: your blog is about the representation of old  women and yet you do not address this in the one about Amour. This is true. … Continue reading

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AMOUR – A PERSONAL VIEW

At long last Amour. I was waiting for our film group to meet before writing about this amazing film. Being interested in how viewers receive a film and what is on-screen I found that above all other films Amour demands … Continue reading

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MAETCHEN IN UNIFORM at the NFT free senior matinee.

The NFT free senior matinees are well worth attending. This month they screened the amazing Maedchen in Uniform to synchronise with the Lesbian and Gay Festival. An excellent article about the film is to be found in the March 1981 issue … Continue reading

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Song for Marion : Singing is good for you.

I saw A Song For Marion (known in USA as Unfinished Song) in my local multiplex at a matinée,  in the smallest  auditorium of the complex.  It was advertised as a comedy/drama. On IMDb it comes under Comedy, Drama, Music, in … Continue reading

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What is old age conference: Margaret Rutherford, Haptic Turn

I feel privileged to have attended the interdisciplinary conference ” What is old age? New perspectives from the Humanities” organised by the University of Warwick on February 23rd. 2013 ;  Two keynotes addresses and 8 panels.  The only frustration was … Continue reading

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BALLAD OF NARAYAMA (1958) and AGEWISE

I was rereading chapter 1 of Margaret Morganroth Gullette’s book AGEWISE : The Eskimo On the Ice Floe. At the back of my mind lurked vague thoughts about a film group.  I decided to revisit The Ballad of Narayama which has the same theme as the Eskimo … Continue reading

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